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In real life, this is one of the important tenets of Existentialism, one's purpose in life should not be judged / determined by society, but rather one should shape their own purpose in life.
Goldie appears to have let slip subversive graffiti artist Banksy's “real identity” after he spoke about him in a new interview.
Meanwhile, Top Of The Pops died from lack of interest while the charts became strangely hyperactive. The strongest argument could be made for the rise of modern hip hop-inflected R&B, where even mainstream pop idols (such as Justin Timberlake and Britney Spears) have effectively “urbanised” their music.
In America, in particular, these genres have dominated radio and the charts, delivering such acts as Rhianna, Beyonce, The Black Eyed Peas, Akon and Kanye West around the world.
Supplied with a US written and produced ballad, Leona conquered all. Witty, keenly observational and delivering the fast paced lyricism of rap with the energy of nu metal, the Monkeys made every other indie band sound old and vapid. Rehab (2006) Amy Winehouse There was a tragic defiance to Winehouse’s career-making hit, bringing together some of the defining elements of the decade in one monster single.
The sound is unashamedly retro, a bluesy shouter lent a modern edge by hip hop rhythms and bold sentiments.
Umbrella (2007) Rihanna The Rn B starlet's inescapable soundtrack to a rain-soaked summer. Mr Brightside (2004) The Killer Jealousy, paranoia and pop rock hysteria from Las Vegas’s finest Watch it on You Tube Buy it on i Tunes 24. Gold Digger (2005) Kanye West Jamie Foxx gave Kanye’s kiss-off to avaricious ladies a raw blues edge. Dry Your Eyes (2004) The Streets Mike Skinner’s urban vernacular bloke-ballad had 'em sobbing into their pints. Hey Ya (2003) Outkast The battle of duelling egos in Outkast was thrown into overdrive when Andre 3000, one half of the Atlanta hip hop duo, was cloned eight times in the video for this goofily contagious Prince-ish funk-rocker, and conquered the globe. Can’t Get You Out Of My Head (2001) Kylie Never has a pop song more effectively done what it says on the tin: the Cathy Dennis and Rob Davis-penned single sinks its playground chant of a hook into the brain and just refuses to let go as Kylie sexes it up. Seven Nation Army (2003) The White Stripes Driven by the noughties’ best rock riff (not a bass, a semi-acoustic guitar dropped down an octave) this channeled all Jack White’s anger and ambition into an electric yowl aimed at everyone “from the Queen of England to the hounds of hell”. Hurt (2002) Johnny Cash A ridiculously potent Nine Inch Nails cover delivered in weary Old Testament tones that cut to the marrow. The London born Sri Lankan Tamil mixes up The Clash with Bhangra beats, while gunshots and cash registers ring out. Yellow (2000) Coldplay The song that launched Coldplay’s stadium filling career and spawned a decade of male falsetto choruses (see James Blunt etc) Chris Martin’s plaintive call of unrequited love had no title until he found a copy of the Yellow Pages in the studio. Crazy In Love (2003) Beyonce Something old, something new: this unstoppably groovy club slammer marries a raspy 70’s Chi-Lites horn sample with a hip hop inflected go-go beat.
Mercy (2008) Duffy Catchy, organ-funk-propelled game of Northern soul dress-up. Get Ur Freak On (2001) Missy Elliot When Timbaland’s twangy bhangra beats met Missy’s tough urban attichude. Rock Star (originally 2005, re-release 2007) Nickelback Grunge rockers sold millions satirising a life of money and excess. One Day Like This Elbow (2008) Gloriously uplifting English anthem now used on every third television programme. The Fear (2009) Lily Allen Lily Allen skewers the contemporary cult of celebrity amid timeless electro-pop. Patience (2006) Take That The 90s boyband just needed a little ti-ii-ii-ii-ime to return with this. Take Me Out (2004) Franz Ferdinand Time-shifting rock disco groove proved indie kids can dance. Toxic (2004) Britney Spears Sweet, exotic, silly and sexy as an old Turkish Delight commercial. You’re Beautiful (2005) James Blunt Ode to fancying strangers on public transport captured the nation’s heart. Sounds of the Underground (2002) Girls Aloud Xenomania’s blend of electro and guitars set pop production standards. Beautiful Day (2000) U2 Between despair and optimism, U2’s sky-high anthem was appropriated for TV football. Crazy (2006) Gnarls Barkley Delicious Motown-esque meditation on insanity. Acted as the great man’s elegy and the video, contrasting the frail Cash nearing his end with his boisterous younger self, is heart-breaking. Bleeding Love (2008) Leona Lewis Even Simon Cowell must have been embarrassed with Pop Idol and X Factor’s parade of cruise ship cabaret fodder before Leona Lewis’s supple vocals restored some credibility to his search for a superstar. The romantic union of R’n’B sweetheart Beyonce Knowles with heavyweight rap supremo Jay Z added frisson to the affair. I Bet You Look Good On The Dancefloor (2005) Arctic Monkeys Britain’s new favourite band, the fresh faced Sheffield quartet were a word of myspace sensation.
And laid out like this, it strikes me the decade doesn’t seem quite so bad. Thank You (2001) Dido Dido’s song of gentle yearning dominated the decade’s early stages. Never Gonna Give You Up (1987) Rick Astley This lovable Eighties hit “Rickrolled” to new popularity in 2007, via an internet prank. Good People (2005) Jack Johnson Johnson’s wonderings about the bad stuff on TV was an easy-going joy. Fallin’ (2001) Alicia Keys The R&B star’s inaugural hit was a gospel-tinged classic about romantic confusion. In Da Club (2003) 50 Cent Crunching Dr Dre beats launched the humorless Fiddy. Hips Don’t Lie (2004) Shakira Featuring Wyclef Jean Gyration-inducing dance floor filler from the Colombian gargle-singer. Everybody’s Changing (2004) Keane Soaring, yearning melodic piano anthem from Home Counties heroes Watch it on You Tube Buy it on i Tunes 36. Avril Lavigne Sk8er Boi (2002) Pop-punk teenage love saga for the txting generation. Hallelujah (2008) Alexandra Burke Leonard Cohen’s anthem of spiritual stagnation transformed into celebratory X Factor romp Watch it on You Tube Buy it on i Tunes 31.
In Britain, we were temporarily distracted by “landfill indie” (ubiquitous skinny boys with scratchy guitars) and a kind of epic soft rock (Coldplay and their brothers in cardigans, from sensitive singer-songwriters to coffee-table rock bands) but little of it sounded fresh.
Women increasingly came to the fore, some with authentically soulful voices and striking characters, some blow-dried, sexed up and autotuned to within an inch of their lives. Yet somehow pop has continued to do what it does best. (2004) Gwen Stefani In which the ska-punk princess metamorphosed into a Madonna-rivalling, hi-tech pop-disco queen. Don’t Stop Believin’ (1981) Journey A 2007 slot on the Sopranos made this 1981 power ballad an i Tunes sensation Watch it on You Tube 80. Standing In The Way of Control (2006) The Gossip Big-lunged, punk-soul self empowerment anthem. Can’t Stand Me Now (2004) The Libertines The song where Pete Doherty’s rock chicaned into soap opera Watch it on You Tube 76. Mundian To Bach Ke (2002) Panjabi MC 'Knight Rider’-sampler sent bhangra worldwide.
One character tries to persuade another character to change their image and not be a loser, geek, etc.
After the change goes amiss, "Flowers for Algernon" Syndrome almost always ensues, and An Aesop is delivered about how it is better to be true to one's own nature.
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